
Volume 7- Issue 1, January 2008
Published by
Llumina Press
Review of Civilized
Savages
December 30th, 2008
Reviewed by Daniel J. Neumann
For E Writer Magazine
A Different Type of Anti-War Novel
Before I write
anything about Civilized Savages, I
must confess to my bias as a reviewer: I wrote two novels (OMA:
One Man Army and OMA: Part 2)
with a similar subject as Susan Kaye Behm. I also have reservations concerning
the relativity that this book’s critique is receiving versus the others. So here
are the variables I am judging by: Entertainment (writing style), Literary Merit
(plot), and Honesty (content accuracy).
Civilized Savages is a fiction
on the premise of a political movement converting children into super-soldiers.
The public accepts due to a sense of artificial crisis. The reader follows the
young protagonist, Joey, as she slowly loses grasp of her previous, innocent
identity. Much of Behm’s plot, it would seem, is burrowed from Germany during
Nazi rule. Susan Kaye Behm has written on a somewhat cliché plot with a fresh
perspective—and certainly her own flavor.
Civilized Savages is, no
doubt, an anti-war novel. But it is from a different perspective. While an
interested reader could read first-hand war experiences from Tim Obrien, one
would pick up Behm’s work to contemplate the philosophical repercussions of the
concept of war. Symbolism shines as the best quality of this work. The children
becoming super-soldiers represent degradation of innocence; daily “vitamin”
pills signifies the brainwashing the military uses; and Jesse killing his father
on command denotes the attempt to bring order to the chaotic nature of murder.
While the plot
twists can become predictable, Behm’s writing style entertains. She does not
overwhelm the reader with unneeded details, yet never leaves the reader in the
dark. For the most part, the story is told from a third-person omnipotent
view—but the italicized soliloquies from Joey help clear the blind-spots of that
narration style. Civilized Savages
exemplifies a well-done, action-packed adventure.
I mentioned
earlier in the review that I wrote two anti-war novels. At a recent
book-signing, I recall a man arguing with me: “Why are you against war?” And I
replied, “Why are you for it?” He did
not answer, but if the conversation would have carried on, I would have
recommended Susan Kaye Behm’s Civilized
Savages to the man, over my own
books. Behm may not have had any direct exposure to war, but she offers a future
that conveys the horrors of war as much as any civilian can contemplate. In
short, it is an anti-war novel for those of us who have never fought in a
war—which makes it the most valuable variety of anti-war novel.




